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Acclaimed director Rodney Evans takes viewers on a personal journey as he ponders how the deterioration of his vision will impact his life and work as a filmmaker. Interviewing blind and low vision artists - a photographer, a dancer and a writer - Evans embarks on a quest to learn how other artists have continued to create art and how their journeys might serve as inspiration for his own.
A loving and insightful portrait of two transgender siblings - Luca and Ren - and their parents, set in the changing social climate following the 2016 presidential election. LITTLE MISS WESTIE takes audiences behind the scenes as the family navigates puberty, school, dating and more as the children begin living in their authentic genders and Ren participates in the Lil’ Miss Westie Pageant.
TUTWILER takes audiences into Alabama’s only maximum security women’s penitentiary, Julia Tutwiler Prison, and explores the Alabama Prison Birth Project, helping expectant and new mothers learn childbirth and parenting skills while dealing with the pain of being separated from their children.
JADDOLAND is an intimate portrait of the work and process of visual artist Lahib Jaddo while offering a fresh look at the immigrant story in America. Through an exploration of Jaddo's art and connections to her life in Texas, the film also drafts a unique picture of how art can help both the creator and the audience make sense of familial and cultural connections, loss, perseverance and life.
Transporting viewers to Missouri towns - then all-Black Kinloch and the all-white community of Ferguson, examining the shared histories and deep racial divides affecting both. Through recordings, photographs and recollections, WHERE THE PAVEMENT ENDS draws parallels between a 1960s dispute over a physical barricade erected between the towns and the 2014 shooting death by police of Michael Brown.